Nu took us to Yangon's New Year's opening ceremony. Along the way, small children and gangs of adorable young street kids asked us respectfully if they could please pour a bit of water on us. The chance to pour water on a white backpacker was an opportunity so exciting and novel it never failed to illicit shrills of enjoyment. We were only too happy to oblige. Behind them, however, their older siblings prepared more formidable instruments of water warfare. Their hungry smiles were laced with menace. They wanted nothing more than to wipe out all traces of last year's sins. However, for now, tradition protected us. They would have to hold their fire until after the opening ceremonies.
Without the foggiest clue what was going on, a few police kicked several old ladies out of their plastic toy chairs, and we were ushered to sit in their places. Sweating profusely in our stinky Teva sandals and the same Nepal Trekking shirts we had been wearing for the last six months, we found ourselves in the seat of honour next to Yangon's City Mayor and some of Myanmar's most famous young film talents. In a pathetic and hopeless attempt to look important, we tried to chat with our Burmese-speaking neighbours until the opening ceremony began: a kind of dance and theater show that looked suspiciously like last night's strip-tease.
The water fight had begun, and foreigners were not exempt. Indeed, we soon discovered that a clunky old pickup truck full of white-faces was considered a unique find and a primary target deserving special attention. While the morning's cute kids with cups of water were all in good fun, now that their older siblings had taken over it became a dangerous sport. Though previously impossible to find, garbage pales of freezing cold ice water now seemed to be everywhere, their contents pumped out at us with painfully high-pressure fire hoses. As our truck skidded down the windy roads, every turn was manned by adolescents with exotic water guns whipping us with buckets of high velocity ice water of questionable purity.
"It's safe in here, we can talk." Interestingly, he was referring to a draconian law in Myanmar prohibiting groups of more than five people meeting together for discussion, rather than the ruthless gangs of water throwing Burmese punkers outside.
"We live our lives, and the government officials live theirs. We don't really mix. My art isn't political and I don't involve myself in politics. If I did, I'd be counting beads." The Lady, Aung San Suu Kyi, is one of his biggest fans and the NLD once asked him to photograph her. "I told them to stuff it ! Are they crazy !?", he exclaimed, "I'd be counting beads !"
The Burmese have mastered the art of Asian collective resourcefulness. In their close-knit community, everyone knows a friend of a friend to get things done. As a gifted photographer who lived most of his life in France, Mo Win is a bit of a foreigner in his own land. His son once chastised him for being too honest on his tax returns, and demanded he get a local to do it properly. The Americans we picked up study Buddhism and do volunteer aid work. Locals help them to stay in the country for prolonged periods by arranging them business visas through a fake company.
Our gang gearing up for another forray: stuffing our valuables into water-tight ziplock bags and applying another coating of water-proof sunscreen.
Mo Win insisted we finish our drinks and set off once more, determined to show us the water festival at Inye Lake. We crowded back into the pickup truck, our ranks now swelling to include several of Mo Win's Burmese wine-pouring coolies and a couple of bottles of scotch. As the truck rounded each corner, cries of "Happy New Year" were followed by such a relentless barage of water balloons, ice buckets, and fire hoses we'd periodically lose passengers out the back.
Inye Lake turned out to be the main front in Yangon's water battle: a chaotic honking gridlock consisting of bumper-to-bumper pickup trucks carrying a cargo of water guns, hoses, and comatose old men still clutching emptied bottles of Jack Daniels. Through the polluted haze of low-grade Russian diesel exhaust, a motley crew of revelers held hands with green-haired teenagers dressed in studded leather and Union Jacks, dancing in the flooded streets to the rhythm of Burmese covers of Western Hip-hop. A virtual monsoon of water rained down from large wooden structures temporarily constructed to cater to throngs of Burmese kids who had paid good money to dump tanks of ice water and fire riot-pressure water hoses into the chaos below them.